If your yard is known for standing water and occasional draining problems, you're limited in what you can plant. Thankfully ...

PROJECT HAIL MARY co-director Christopher Miller revealed that the movie was made without the use of any green or blue ...

Producer-distributor GreenApple has signed a four-film deal with ALLBLK, kicking off with Danielle Nicolet's directorial debut, “Long Time Listener.” ...

Co-director Christopher Miller reveals why Project Hail Mary used zero green screens, opting for practical sets and "black screen" for realism.

Chris Miller, co-director of Project Hail Mary, made a claim about using green screens and practical effects that confused a ...

Project Hail Mary co-director Christopher Miller has moved to clarify recent comments in which he said there isn't a single green screen shot in the entire movie. The Ryan Gosling ...

'Project Hail Mary' co-director Christopher Miller has set about clarifying comments that the sci-fi epic didn't employ the ...

When Paul Thomas Anderson told his cinematographer Michael Bauman that he wanted to shoot “One Battle After Another” on VistaVision — a large-scale film format born in the 1950s — ...

Project Hail Mary co-director Christopher Miller has moved to clarify recent comments in which he said there isn't a single green screen shot in the entire movie.

Amazon-MGM's entire 156-minute, big-budget sci-fi gamble was shot without any green (or blue) screen, Christopher Miller says.

Directors Phil Lord and Christopher Miller wanted to balance CGI effects with real sets and physical elements as much as possible.

Project Hail Mary, despite leaning toward high-concept sci-fi, strayed away from traditional green screens during its ...