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Avatar: Fire and Ash Costume Designer Deborah L. Scott Helped Lead Costuming Into the Digital Era

Costume designer Deborah L. Scott’s Oscar nomination for Avatar: Fire and Ash reflects something larger than a single project ...
Variety

‘Avatar’s’ Costly Sequels Are Getting Harder to Justify. Will James Cameron Make Two More?

Would James Cameron ever bid adieu to Pandora? “Avatar: Fire and Ash,” the director’s third otherworldly adventure, is nearing the end of its box office run with $1.4 billion globally. It’s an ...
collider

‘Avatar: Fire and Ash’ Has No Chance of Catching the Original Before Its Box Office Run Ends

Rohan Naahar is a Weekend News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once. He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He ...
collider

‘Avatar: Fire and Ash’ Doubles the Box Office Gross of the Greatest Sci-Fi Sequel From the Last 10 Years

Rohan Naahar is a Weekend News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once. He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He ...
FanBolt

142,000 Years of Rendering: Inside the VFX That Power ‘Avatar: Fire and Ash’

That single shot is one of the most technically demanding setups in the film, and it is the kind of detail that explains why Fire and Ash required 1,248,087,308 render hours to complete, which Weta ...