Movies encoded in UltraViolet's Common File Format represent just one of multiple takes on paid internet video -- what's to make them stand out? The answer might just be Dolby Digital Plus audio ...

Live encoding is a different beast. You need low latency, high visual quality, and the ability to handle multiple streams at once-all while staying within compute budgets.” - Mauricio Alvarez-Mesa, ...

I first heard of Dolby Digital Live (DDL) back when nVidia motherboards featured their Soundstorm. I thought this was a neat feature. The Yamaha speakers I had (5.1) had a receiver that would decode ...

While content creation and delivery trends come and go, the quest for greater workflow efficiency has remained constant, and is an endeavor that Bridge Digital has helped its customers pursue since ...

Tokyo, Japan — Asahi Kasei EMD Corp. (AKEMD) has expanded its Audio4home family with the launch of its AK4145, an integrated alignment-free digital BTSC stereo encoder for television markets including ...

SAN FRANCISCO - Dec. 7, 2004 - Dolby Laboratories today announced its Dolby(R) Digital 5.1 Creator multichannel encoding technology is being licensed by Pinnacle Systems, Inc. (Nasdaq:PCLE) and ...

WALTHAM, Mass.—Spin Digital has integrated the Zixi Software-Defined Video Platform into its live encoding and playback solutions. Together, the solutions offer the live encoding, compute efficient ...

I read some guides on the subject from Doom9 and Divx-digest.com concerning the new Divx4 and I have been told that 2-pass encoding is superior to 1-pass. I am curious as to why 2-pass encoding works ...